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Serving as a catalyst for risk-taking and discovery, CultureHub’s Residency Program supports artists creating work through experimentation with emerging technologies. Resident Artists have full access to space, technical support, and other creative resources with an opportunity to present works-in-progress, teach workshops, develop their curatorial practices, and connect with other artists in the CultureHub network.
2024–2025
Featured
2023–2024
Featured
2022–2023
Featured
2021–2022
Featured
New York, 2021–2022
Allison Parrish
New York, 2021–2022
New York, 2021–2022
2020–2021
Featured
2019–2020
Featured
2018–2019
Featured
Opportunities
The CultureHub Residency Open Call | Fall 2024
The CultureHub Residency program will offer one-week residencies to artists September 9–December 13, 2024. Artists will receive one week of studio access with full technical support at CultureHub New York or Los Angeles to target specific areas of their project’s development and engage the CultureHub community around their work.
These residencies are designed to support artists as they get new work on its feet and in front of an audience. Preference will be given to proposals that have a clear vision for how to use our physical space and resources. We welcome projects that explore both online and in-person possibilities, but they must engage the physical studio in some way.
CultureHub envisions a world where technology amplifies our humanity rather than diminishes it. We support artists who critically examine technology from a diverse array of mediums and creative perspectives. We encourage applicants to learn about our current and past Resident Artists and view past projects prior to submitting an application.
This opportunity is open to U.S. based artists who are not currently enrolled in a degree-earning program.
Questions? Email residency@culturehub.org or watch a recording of our Residency Q & A held on May 2, 2024 here.
The open call has CLOSED.
Resident Artists will have access to the following support and opportunities:
Access to the CultureHub studio, equipment, and technical support for 1 full week in residence at the CultureHub studios in New York or Los Angeles, which are flexible spaces equipped with reconfigurable lighting, audio, video, and projection systems. See our equipment list for New York and Los Angeles.
Present one public offering to the CultureHub community during their residency (i.e.: work in progress showing at the end of the week, artist talk, curatorial event, etc.). Presentations can be for an in-person and/or remote audience
A $1500 stipend for the development of their project, which can be used how the artist sees fit
Marketing support through our website, eblasts, and social media
Assistance with photo and video documentation of the project
Connect with the residency cohort and network of past residents
View CultureHub LA Equipment List
View CultureHub NYC Equipment List
Projects
Projects Gallery
A participatory durational desktop performance for online and in-person audiences by CultureHub Resident Artist Chia Amisola. Learn more →
An interactive memorial quilt made of fabric speakers by CultureHub Resident Artist Liza Stark. Explore →
A VR performance and digital ritual by CultureHub Resident Artist Ayodamola Tanimowo Okunseinde and Amir Denzel Hall. Explore→
A live reading, performance, and un-launch party for a game forever in its own making by CultureHub Resident Artist Jackie Liu. Explore →
![Unbounding [sic] Prometheus](https://images.squarespace-cdn.com/content/v1/5b2bb6b44611a0340651820a/1701988266154-01CKEVBNQHA0LFEY9X4D/image-asset.jpeg)
Aravind Enrique Adyantha revisits a performance work from 2001 and adapts to communicate through conditions of sickness and disability. Explore →
A project that invited participants to creatively re-engage with memory through virtual world-building, speculative soundscape recording and editing, and mask-making. Explore →
Resident Artist Sarah Sweeney creates an audio deepfake of her dad that explores their relationship before and after death. Explore →
"Origin of Somu" is a chapter of an ongoing transmedia series that was created by CultureHub Resident Artist Andrea Kim. Explore →
An immersive music video installation by Paul Pinto and Kameron Neal told through chants, rants and micro-pop songs on privilege, appropriation, and the history (or plague) of “whiteness” in the U.S.A.
A durational participatory performance by Resident Artist Alice Yuan Zhang experimenting with the potentiality of our online attention and the labor of digital sovereignty.
A virtual dance party centering disability nightlife and access magic that blurs the lines between URL/IRL, glitching endlessly.
Nikeloops is a 360° video that explores freedom, survival, and escape through patterns, movement, and loops.
Channeling Doug Engelbart’s energy, this collective scrolling performance lecture by Resident Artist Emma Rae Bruml Norton explores the computer mouse as an object that connects humans and computers.
(elradicante) is a pop-up exhibition testing strategies that break down the categories of virtual and material.
CultureHub curates an evening of A/V performances featuring past and present Resident Artists at Mana Contemporary.
CultureHub Resident Artist Isabel Beavers creates a pop-up natural history museum inspired by the Paradise, Woolsey and other mega-fires.
Undefined Spaces
A behind-the-scenes look at Resident Artists' process and experiences as they take risks and make new discoveries in their work.
Undefined Spaces Videos
SeoulArts hosts three artists-in-residence from different backgrounds, sharing diverse approaches to site-specific performance: Stephan Koplowitz (United States), Raymund ‘Rama’ Marcaida (Philippines), and Cat Mahari (United States).
A recap of performances and collaborations at Pieter Performance Space in LA, The Firehouse in Joshua Tree, The Dorothy Disney Lund Theater at CalArts, and a recording session at Coyote Run Studio in January 2024.
Creative coder Olivia Jack uses Hydra, her custom built live coding platform, to explore feedback loops created through human-computer interaction.
Collaborating forces Paul Pinto and Kameron Neal surround viewers in a white void while a chorus of floating heads muse on privilege, appropriation, and the history (or plague) of “whiteness” in the U.S.A.
Mystic, educator, and artist Mx. Oops brings seemingly disparate realms together to push the boundaries of performance and self.
Using sound, video, music, and paint, Joseph Brock plays with patterns and loops to search for freedom, survival, and escape.
Komungo virtuoso Jin Hi Kim shares her journey to create the first electronic komungo which integrates emerging technology to open new compositional and spiritual pathways.
Novelist Maxwell Neely-Cohen collaborates with writers, creative technologists, and game designers to prototype a dynamic system that responds to live literary performance.
Bailey Hikawa and Scotty Wagner discuss their project 100 Year Plan which combines livestream performance, pre-recorded videos, songs, websites, and wearables.
Italian theater directors Daniela Nicolò and Enrico Casagrande discuss the history of Motus, their collaboration with La MaMa’s Great Jones Repertory Company, and their immutable exploration of the unknown.
Ana Knezevic explores invisible spatial realms and their possible interactions with real space in her virtual reality project Voiding the Void.
Blair Simmons discusses her self-coded program that uses artificial intelligence to generate theatrical texts which are interpreted and performed by live actors.
Kristin McWharter combines sculpture, virtual reality, and party games to explore how physical contact within virtual spaces can manipulate social behaviors.